Långfredagen tillbringar jag i stillhet. Åtminstone en dag om året (två, med askonsdagen) vill jag vara eftertänksam och inte automatiskt sträcka mig efter nästa munsbit eller förströelse när allvaret sänker sig. I The Waste Land formulerar T.S. Eliot de känslor av evighet och litenhet som blir kvar när de moderna människorna lämnat religionen bakom sig. Här några rader ur den femte delen av dikten. Fortsättning följer på annandag påsk.
AFTER the torchlight red on sweaty faces | |
After the frosty silence in the gardens | |
After the agony in stony places | |
The shouting and the crying | 325 |
Prison and place and reverberation | |
Of thunder of spring over distant mountains | |
He who was living is now dead | |
We who were living are now dying | |
With a little patience | 330 |
Here is no water but only rock | |
Rock and no water and the sandy road | |
The road winding above among the mountains | |
Which are mountains of rock without water | |
If there were water we should stop and drink | 335 |
Amongst the rock one cannot stop or think | |
Sweat is dry and feet are in the sand | |
If there were only water amongst the rock | |
Dead mountain mouth of carious teeth that cannot spit | |
Here one can neither stand nor lie nor sit | 340 |
There is not even silence in the mountains | |
But dry sterile thunder without rain | |
There is not even solitude in the mountains | |
But red sullen faces sneer and snarl | |
From doors of mudcracked houses If there were water | 345 |
And no rock | |
If there were rock | |
And also water | |
And water | |
A spring | 350 |
A pool among the rock | |
If there were the sound of water only | |
Not the cicada | |
And dry grass singing | |
But sound of water over a rock | 355 |
Where the hermit-thrush sings in the pine trees | |
Drip drop drip drop drop drop drop | |
But there is no water | |
Det låter sympatiskt med stillhet och allvar. Oavsett anledning tror jag också att det kan vara berikande för själen då och då.
SvaraRaderaTack! Jag lyssnar då och då på
SvaraRaderaT S Eliots egen uppläsning.
lena k e